Thomas Kinkade A New Day Dawning paintingJohn Collier The Water Nymph paintingJohn Collier Spring painting
Gibreel when he submits to the inevitable, when he slides heavy-lidded towards visions of his angeling, passes his loving mother who has a different name for him, Shaitan, she calls him, just like Shaitan, same to same, because he has been fooling around with the tiffins to be carried into the city for the office workers' lunch, mischeevious imp, she slices the air with her hand, rascal has been putting Muslim meat compartments into Hindu non-veg tiffin-carriers, customers are up in arms. Little devil, she scolds, but then folds him in her arms, my little farishta, boys will be boys, and he falls past her into sleep, growing bigger as he falls and the falling begins to feel like flight, his mother's voice wafts distantly up to him, baba, look how you grew, enor_mouse_, wah-wah, applause. He is gigantic, wingless, standing with his feet upon the horizon and his arms around the sun. In the early dreams he sees beginnings, Shaitan cast down from the sky, making a grab for a branch of the highest Thing, the lote-tree of the uttermost end that stands
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